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<H1> News </H1> |
<H1> Microsoft Enabler Program offers new employment opportunities for PWDs </H1> |
<H1> Netizens, groups question DBM’s 1K ayuda in-kind </H1> |
<H1> CCP concludes National Women’s Month with VLF Anthology plays by women </H1> |
<H1> SC institutionalizes video conferencing hearings via Microsoft 365 </H1> |
<H1> Is DILG in denial of ‘red-tagging’ gov’t workers network? </H1> |
<H1> Campus Watch </H1> |
<H1> FEU HS studes, alum air sexual harassment reports in the university on Twitter </H1> |
<H1> Students face burden as UE admin disqualifies 90% of first-time scholars </H1> |
<H1> Youth group slams DepEd limited face-to-face classes for SHS </H1> |
<H1> KPL to CHED: UP-DND Accord is not problematic, your anti-student stances are </H1> |
<H1> Being neutral and silent in times of crisis is dangerous </H1> |
<H1> Educ Digest </H1> |
<H1> Rethinking Education: Humanizing the Task of a Teacher </H1> |
<H1> Beyond Fetishizing a Profession: Materiality of a Teacher </H1> |
<H1> Plight in Pandemic: A Teacher’s Perspective in the New Normal </H1> |
<H1> Helpful tips to improve students’ reading comprehension skill </H1> |
<H1> How ready are we for the face-to-face classes? </H1> |
<H1> Culture </H1> |
<H1> Community pantries rise as gov’t ‘ayuda’ system ‘fails’ </H1> |
<H1> Valenzuela arts and lit collective launches an experimental project online </H1> |
<H1> Contestable Grounds: Cultural Representation of the Teaching Profession </H1> |
<H1> Online children’s book launch tackles the truth about child abuse </H1> |
<H1> Stay empowered in this podcast featuring Lualhati Bautista, Etta Rosales </H1> |
<H1> Opinion </H1> |
<H1> Ang Diskurso ng Pag-iral sa Pelikulang “Tuig Nga Wala Kapawa” </H1> |
<H1> Duterte under the guava tree </H1> |
<H1> 10 hair flipping initiatives of the OVP in response to the COVID-19 pandemic </H1> |
<H1> Kritisismong Pantelebisyon at si Nestor U. Torre Jr. </H1> |
<H1> Will you ever learn? </H1> |
<H1> Entertainment </H1> |
<H1> Def Jam Philippines unites Al James, Legit Misfitz, K24/7, Calvin De Leon in Rekognize’s ‘Atin Ang Gabi’ MV </H1> |
<H1> JINX YEO Live in Singapore For His First Full-length Headline Comedy Show </H1> |
<H1> Mga Kislap-Diwa: Ilang Tala sa Mga Gawa Ni Nestor Torre Jr. </H1> |
<H1> Pyra’s ‘yellow fever’ MV is the best response to fetishism and those nasty DMs </H1> |
<H1> “Natatakot Akong Makita Lamang Sa Litrato” bagong album ng Bigkas Pilipinas ngayong Buwan ng Kababaihan </H1> |
<H1> Events </H1> |
<H1> Para sa Bayan at Lasalyano (BayLayn), muling idaraos ng Ang Pahayagang Plaridel para sa kritikal at aktibong pamamahayag </H1> |
<H1> Translingualism’s metadiscourse, translingual practices headline 55th ACELT virtual conference </H1> |
<H1> UMPILan sa FB Live series to reflect on 500 years of writing the Filipino world </H1> |
<H1> CCP launches Ani 41: Lakbay literary journal for the National Literature Month </H1> |
<H1> The Mirror is metaphor: Ninotchka Rosca’s Adrian E. Cristobal Lecture </H1> |
<H1> #Exploreph </H1> |
<H1> Mt. Batolusong: My First Hike After 15 years </H1> |
<H1> #ExplorePH: Pinay Celebrities’ Travel Escapades </H1> |
<H1> Literary </H1> |
<H1>
Valenzuela arts and lit c...
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Online children’s book ...
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<H1> Reviews </H1> |
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“The Bold Type” Netfl... </H1> |
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Diskurso ng Sekswalidad n... </H1> |
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Dessert shops that offer ... </H1> |
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RISA Partners invests in ... </H1> |
<H1> EditorsNote </H1> |
<H1> ‘Ang Ola’y Titiguisin’: How the Brand of Romanticized ‘Resilience’ Jeopardized Our Nation </H1> |
<H1> Iniyak na Natin Ngayon ang Puhunan ng Pagbangon </H1> |
<H1> Jurassic F. Sionil Jose: A National Artist for ‘Trolling’ </H1> |
<H1> Terror after Terror: Where do we go from here? </H1> |
<H1> PopStories </H1> |
<H1> Rights group slam RLECC tokhang-style campaign in Cordillera </H1> |
<H1> Ang Diskurso ng Pag-iral sa Pelikulang “Tuig Nga Wala Kapawa” </H1> |
<H1> Beyond Fetishizing a Profession: Materiality of a Teacher </H1> |
<H1> PART 2: Soap Opera ang ‘Voltes V: Legacy’ </H1> |
<H4> Privacy Overview </H4> |
Social
Social Data
Cost and overhead previously rendered this semi-public form of communication unfeasible.
But advances in social networking technology from 2004-2010 has made broader concepts of sharing possible.